Browse Helix Models and Effects
Helix currently supports 72 amplifier models, 194 effects, 37 speaker cab models, and 16 microphones. On top of all that you also have the ability to load Impulse Responses (IRs) that you can grab from free or paid sources. Go have fun.
Matchstick Ch1 (Matchless® DC30 (channel 1))
This is what changed the amp world. The DC-30 was the company’s first design and still leads the lineup.
Thirty very conservatively rated watts from a quartet of EL-84’s, through two channels, each with unique voicing and tone control layouts, produce a world of tone choices. True “Class A” configuration gives rich, complex harmonics whether played clean, mildly overdriven, or with all out power tube saturation. This means you should sound great in any situation, in any music style.
A long list of musician designed features includes: highly interactive tone controls and circuitries unique to each channel, bypassable master volume, individual channel effects loops, cut control for high frequency shaping, high and low (30 or 15 watt) power settings, selectable output impedance and phase inverter switches allow the use of additional speaker cabinets or amps in-phase with the DC-30.
The preamp sections are based on a layout of two 12AX7’s in Channel 1 and one EF86 in Channel 2. The two 12AX7’s in Channel 1 create a parallel-triode circuit with interactive bass and treble. The one EF86 in Channel 2 consists of a high-gain pentode coupled to a six-position tone switch. Outright benefits include quick dial-in of new tones and an easy return to the settings you prefer. Also “high treble” cut control, master volume, with a bypass feature that offers flexible control of the power amp section. The power amp is fed by a 12AX7 phase inverter, which drives four EL84 power tubes. The rectifier circuit gives you the flexibility of using one 5AR4 for a quick attack or you can use two 5V4’s for a smooth, round response. Other professional features include an effects loop, half power-mode switch (a conservative 30 watts switching to 15 watts), output impedance selector (4, 8, 16 ohms) and a speaker phase-reverse switch.
This model is for the amp's clean channel.
Description source: matchlessamplifiers.com
Matchless for Worship guitar
This patch contains 8 snapshots (Clean, Rhythm, Lead, Lead+Octaver, Swells, Delay 1/4, Delay 8 dotted, Ambiet) and also 10 stomps (3 drives, 3 reverbs, 2 delays, octaver, chorus) so you can choose what better fits to your live performance.
- 👇 Downloads: 285
- 🤘 Upvotes: 8
- Member: Jaro.Kozak21
- Performance Type:
Direct (Recording, Headphone, PA)
Ambient
Ambient
- 👇 Downloads: 501
- 🤘 Upvotes: 5
- Member: Carino.Ericson
- Performance Type:
Direct (Recording, Headphone, PA)
Tim Henson - Blood Moon
This tone was made to replicate Tim Henson's tone on his track Blood Moon. I personally use this preset with coil splitted neck humbucker on my PRS CE 24 and it sounds great :)Guitarist: Tim HensonBand: PolyphiaGuitar I used: PRS CE 24
- 👇 Downloads: 398
- 🤘 Upvotes: 5
- Member: Omer
- Performance Type:
Direct (Recording, Headphone, PA)
Jingle Jangle
12 string into a chime amp = awesome. The Soundcloud demo below was made with Logic drums, and I used my "Guitar Goes Bass" preset available here on fluid solo to create the bass guitar sound. No bass guitar needed. Listen for the organ-like fadeout, very cool.
Soundcloud- 👇 Downloads: 60
- 🤘 Upvotes: 1
- Member: Jorge
- Performance Type:
Direct (Recording, Headphone, PA)
| Patch | Performance Type |
Description | Member | 👇 Downloads | 🤘 Upvotes |
|---|---|---|---|---|---|
| Matchless for Worship guitar | Direct (Recording, Headphone, PA) | This patch contains 8 snapshots (Clean, Rhythm, Lead, Lead+Octaver, Swells, Delay 1/4, Delay 8 dotted, Ambiet) and also 10 stomps (3 drives, 3 reverbs, 2 delays, octaver, chorus) so you can choose what better fits to your live performance. | Jaro.Kozak21 | 285 | 8 |
| Ambient | Direct (Recording, Headphone, PA) | Ambient | Carino.Ericson | 501 | 5 |
| Tim Henson - Blood Moon | Direct (Recording, Headphone, PA) | This tone was made to replicate Tim Henson's tone on his track Blood Moon. I personally use this preset with coil splitted neck humbucker on my PRS CE 24 and it sounds great :)Guitarist: Tim HensonBand: PolyphiaGuitar I used: PRS CE 24 | Omer | 398 | 5 |
|
Jingle Jangle
Soundcloud |
Direct (Recording, Headphone, PA) | 12 string into a chime amp = awesome. The Soundcloud demo below was made with Logic drums, and I used my "Guitar Goes Bass" preset available here on fluid solo to create the bass guitar sound. No bass guitar needed. Listen for the organ-like fadeout, very cool. | Jorge | 60 | 1 |
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