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Fluid Solo supports all models of the Line 6 Helix family, including HX Stomp. And new for 2020, we have support for the Pod Go. For more information, head on over to the FAQ.Sign up for an account now Log in if you're already a member
Browse Helix Models and Effects
Helix currently supports 72 amplifier models, 194 effects, 37 speaker cab models, and 16 microphones. On top of all that you also have the ability to load Impulse Responses (IRs) that you can grab from free or paid sources. Go have fun.
Minotaur (Klon® Centaur)
Recorded using a Les Paul with Burstbucker pickups into a Twin Reverb model with the normal input. The overdrive pedal and amp are set at default settings. A touch of reverb added for depth.
The Klon Centaur is a guitar overdrive pedal developed by Bill Finnegan between 1990 and 1994. The pedals were made manually by Finnegan. The Centaur is characterized as a "transparent" overdrive, meaning it adds gain to the signal without significantly altering the tone of the guitar.
Depending on the settings of the control knobs, the pedal can act mostly as a clean boost, adding mostly volume and minimal coloring to the sound. This can be used to drive the input valve stage of the amplifier to use the characteristic distortion sound of an overdriven guitar amp. Alternatively (or additionally) the controls can be set to distort the sound signal in the pedal, where two germanium diodes can perform waveform clipping (see clipping (audio)). The "gain" knob is a double potentiometer (a "dual-ganged gain pot"), which controls bass and middle frequencies. Other knobs are treble and volume.
(image source: Thaddeus Hogarth)
Patches including this Distortion Pedal:
|Litigate||HX Stomp||Direct (Recording, Headphone, PA)||All Litigator, all the time. 3 snapshots - clean, slightly dirtier with delay, and a higher gain tone. Uses the Allure IR Pack, which is available for free from Line 6, Google it.||jorge||490||7|
|Helix Native||Direct (Recording, Headphone, PA)||A Blues patch using the Voltage Queen (Victoria Electro King) amp and a Klon overdrive.||jorge||118||3|
|Helix Native||Direct (Recording, Headphone, PA)||This pissed off 5150 is perfect for detuned metal chord work.||jorge||144||3|
|Green Day Dookie||Pod Go||Direct (Recording, Headphone, PA)||Good tone match for the Dookie album by Green Day. I added the Goatkeeper, although it wasn't used on the album. It helps for some of their future material. Billie Joe used a Strat copy with a humbucker on the album, try that here.||jorge||149||3|
|Supro JC120 Dual||HX Stomp||Direct (Recording, Headphone, PA)||Dual Amp Patch with Supro (L) and JC120 (R). Dual Delay to add some width and double-take Verb. Analog chorus and Minotaur disabled by defaultSnap 1: CleanSnap 2:With Chorus engagedSnap 3:No Chorus but Minotaur engaged||mathieucote||114||3|
|Twin City||HX Stomp||Direct (Recording, Headphone, PA)||Nice Fender Twin, for Hawaiian or Country sounds. There's a Minotaur lurking in there somewhere, in case you need it.||jorge||429||2|
Mike Ness Tone
|HX Stomp||Direct (Recording, Headphone, PA)||This is the HX Stomp version of this tone - there's also a version for the Helix available here by selecting the Helix as your device. This is a very good approximation of Mike Ness's Tone on the Social Distortion albums. The recipe is iconic - a…||jorge||232||2|
|AC 30 Tone for Boss Katana Amps||HX Stomp||Plugged in Front of the Amp||Use this patch by plugging straight into a Katana 50. Use the acoustic channel on the amp, and keep all Katana settings at noon, and adjust to taste. This patch uses the "A30 Fawn Brt" Helix model for a chimey AC30 tone. Use the Klon for some nic…||jorge||180||2|
|HX Stomp||Direct (Recording, Headphone, PA)||This is a new version of my Litigator patch which is currently the most downloaded on this site. It has been reworked to not use any IRs, so there's only standard cabs. I also redid the snapshots as clean, dirtier, and distorted. Enjoy! ||jorge||149||2|
|Same Power||Pod Go||Direct (Recording, Headphone, PA)||I put this together for the song Same Power by Jeremy Camp, but I started playing around with it with the Minotaur and Adriatic Delay turned off, and it's just a really nice lead tone with lots of potential tonal variation. It sounds good with eithe…||danradmacher||75||2|
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