This is the remastered Helix model of the optical tremolo circuit used in blackface Fender amps like the Twin Reverb and Deluxe Reverb.

This vibrato effect is modeled on the vibrato effect built into the classic Vox AC-30.

Manufactured in the '90s, the Boss PN-2 Tremolo/Pan lived a short life and was replaced by the TR-2 in '96. However, the TR-2 lacks the stereo outputs and panning effects the PN-2 has, making the PN-2 highly desirable for fans of this soun…

This is the remastered Helix model of the Lightfoot Labs Goatkeeper. This effect is what you’d get if you could hook up a vintage keyboard sequencer to a tremolo.

The MXR M-101 Phase 90 Pedal gives you classic phasing with variable speed control. Add shimmer to lead passages or jet-plane resonance to muted strumming. Not just for guitars; it works well with bass, keyboards, and even vocals. Vary the…

The Electro-Harmonix Small Stone Phase Shifter is a 4-stage phase shifter pedal first made in 1974 by David Cockerell with the legendary operational transconductance amplifiers (OTA). Along with a Rate knob, the Color switch is used to eng…

A remastered model of the classic Uni-Vibe for Helix.

FlexoVibe

A lush underwater-y vibrato. Nice for undulating single note lines.

This is the remastered Helix model of the MXR Flanger.

This is the remastered Helix model of the A/DA Flanger.

The classic analog Flanger. An array of critically notched and tuned filters gracefully sweep the sound spectrum, creating shimmering, ethereal passages that are truly out of this world. Exclusive Filter Matrix mode disengages the automati…

Mono/Stereo Line 6 Chorus.

This is the remastered Helix model of the Boss CE-1 chorus pedal. Released June 1976, the CE-1 was the first in what has proven to be a very successful line of Chorus pedals from Boss. The circuit had already been used in the now legend…

Based on a modded Arion SCH-Z chorus pedal. The original SCH-2 Stereo Chorus featured a switch for toggling between direct and stereo modes as well as controls for rate, depth and tone.

Based on the Ampeg Liquifier chorus pedal. Rate - Controls the rate/speed of the LFO (Low-Frequency Oscillator) Depth - Controls the amount or intensity of the chorus Mix - Controls the wet/dry mix of the chorus. When set to 0%, no…

A Helix remastered model of the Dytronics Tri-Stereo Chorus.

4-Voice Chorus

Unique chorus effect with a selection of 4 voices.

The genuine BOSS and Roland Dimension effect is back, and it’s now more versatile than ever! Designed in the premium Waza Craft analog tradition, the DC-2W offers not just a perfect sonic recreation of the original DC-2 Dimension C pedal, …

This is the remastered Helix model of the Boss VB-2 vibrato pedal.

A model of the Fender Vibratone remastered for Helix.

The 122 is the most popular Leslie. It was specifically designed for the Hammond organ and is the model most commonly identified with it. It is 41 inches (1,000 mm) high, contains separate motors for chorale and tremolo, and a 40 watt tube…

This is the remastered Helix model for the Leslie 145 rotating speaker cabinet.

Triple Rotary

"The Line 6 Triple Rotary is inspired by the Yamaha RA-200 Rotary speaker. The original RA-200 was a combo solid state amplifier designed to be used with organs much like other rotary speakers. However; the RA-200 unit was unique compare…

Retro Reel

This model simulates the effect of playing back a tape from an old-school analog tape player. There are various parameters to make the simulated playback warble, distort, flutter, and speed up or slow down. There are also high and low cut …

This effect is best explained by Sam, one of Line 6's sound designers, as posted to the The Gear Page: The Double Take is a new double tracking effect made specifically for the Helix. Having spent a lot of time listening to a plethora …

Slick, multi-string guitar detune. Controls for blend, detune amount, low and high cuts, and level. Playing half the set in D? No problem!

Inspired by Lightfoot Labs Goatkeeper. This effect is what you’d get if you could hook up a vintage keyboard sequencer to a tremolo.

This effect pans back and forth between your left and right channels. If you try and run it in mono, it’s basically tremolo.

Based on the 1960 Vox® AC-15 Tremolo, which got its pulse by literally varying the bias of the power amp tubes.

Based on the optical tremolo circuit that was used in the blackface Fender® amps, like the ’64 Deluxe Reverb®.

Released in 1974, the original MXR Phase 90 was one of the company's first pedals and helped solidify the brand as a staple on pedalboards worldwide. The first Phase 90s came with the coveted script logo, but MXR swapped it for the block l…

The Ibanez FP-777 Flying Pan is one of the coolest, tripped out, guitar effects ever. In addition to having stereo panning, it also has one of the best sounding phasers ever produced. It has knobs for phase rate, phase feedback, and pan ra…

A classic effect from the world of modular synths. This phaser either sounds like it’s always going up or always down depending on how you set it. Set to stereo you get both!

Based on the Mu-Tron® Bi-Phase known for it’s big jet sound.

Based on the now-legendary Uni-Vibe®, one listen to “Machine Gun” and you’ll be hooked on this effect model!

Inspired by the MXR® Phase 90. Our model features additional parameters to take you there and back again

Based on the Boss® VB-2. It contained a circuit that produced bubbly vibrato, but was popular for it’s “rise time” control that when engaged, sped up to where you last set it.

Based on the Roland® Dimension D. One of the first true stereo chorus units. Relatively subtle in it’s nature, it became an industry standard for double-track effects.

Based on the Boss® CE-1 Chorus Ensemble, the original stompbox chorus with big, warm and groovy chorus tones. Released June 1976, the CE-1 was the first in what has proven to be a very successful line of Chorus pedals from Boss. The cir…

Based on the Song Bird / DyTronics Tri-Stereo Chorus. You may have never seen one, but you’ve heard it hundreds of times.

Inspired by the classic MXR® Flanger.

Inspired by the A/DA Flanger. Compared to the Analog Flanger, this model is more dramatic, with a different wave shape.

Based on the classic MXR® Flanger. You’ve heard it on Van Halen’s Fair Warning, Women and Children First, and “Unchained”.

Based on the A/DA Flanger with its signature jet-like sweep. True to the original, this model features same knob functions as the classic.

A ring modulator gives you both up and down shifted frequencies. Here you can select just the up or down shifted frequencies.

Ring modulators are for those special times when you want different, weird, strange and otherwise nontraditional guitar sounds.

Based on the Fender® Vibratone. This rotating speaker effect was a popular hit with SRV. Think “Cold Shot”.

Based on the Leslie® 145, the tube-driven rotating speaker cabinet. It was made for the B3 but guitarists fell in love with this shimmery effect

If you’ve ever had a cassette player eat a tape before you’ll know what we’re talking about. Try this with a slow speed setting and a 100% wet mix.

This effect is reminiscent of the Sweeper model, but when used subtly it can produce a nice mild phasey sound or with Depth maxed out you can simulate the sound of an alien spacecraft landing in one of those old 50’s sci-fi movies.

This has a similar effect as the old Oberheim® Voltage Controlled Filter. It creates changes in tone by randomly emphasizing certain frequencies. Try pressing the Speed knob to lock it to tempo and playing single chords to that tempo.

Imagine having 2 wah pedals on steroids separated in a stereo field that are pulsating in opposite positions and you’re close to what you’ll hear here. Use the Q and Freq parameters to set the character of the sweep and adjust Depth to go …